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It’s brief and barely audible, half a second at most. Instead, he offers two of the best verses in the Odd Future catalog. Each event is sketched with incisive wordplay and a precociously wise perspective, Earl’s dead-eyed delivery never wavering. Co-produced with duo Christian Rich, the beat is built around a plaintive piano loop, the propulsive drums and dirty bass both as raw as the open wounds Earl attempts to cauterize. “Chum” was the first of three singles on Doris; all were antithetical to commercial rap radio playlists.
OFWGKTA "Sandwitches" (
MC Eiht lends his lyrics as much as he does his authority as one of L.A.’s greatest gangster rappers. His inclusion displays Lamar’s reverence as much as it does his intellect. Eiht’s verse, by design, smacks of the past that Lamar spends his verses rallying against.
‘Rivers in the sky’ have drenched California, yet even more extreme rains are possible
House of Pain announce 30-year anniversary deluxe vinyl reissue of 1992 debut album - DJ Mag
House of Pain announce 30-year anniversary deluxe vinyl reissue of 1992 debut album.
Posted: Thu, 11 Aug 2022 07:00:00 GMT [source]
Motels and hotels built after 1993 must have at least one ADA-compliant accessible room; state your specific needs when making reservations. ● Capitol Corridor This train links San Francisco’s East Bay (including Oakland, Emeryville and Berkeley) and San Jose with Davis and Sacramento several times daily. Thruway buses connect west to San Francisco, north to Auburn in the Gold Country and east to Truckee and Reno, Nevada. Transfer to BART trains in Richmond for fast connections to Berkeley, San Francisco and SFO.
Popular House Of Pain Lyrics
He confesses that he's “got a gang of hoochies but the Fendi girls don't want me.” If you learn anything from Hi-C you will learn that a single hoochie is worth 100 Fendi girls. Rap, a rich baritone that contains the buttery light, the asphalt perfume, and the indo smoke, then Kokane is his evil twin, a vocal presence that uncorks all the fear and paranoia and vice of the Southland underbelly. Clayton’s roots were in the meaty, friendly party funk of the Ohio Players and Earth, Wind & Fire, but “Dial-A-Freak” is evacuated of anything organic. There's a smell hanging in the air that isn’t weed—something unrecognizably metallic. Whenever the Rally Monkey, the unofficial mascot of the Los Angeles Angels makes an appearance on the Angel Stadium videoboard, she would be seen holding a sign saying that it's 'RALLY TIME!
It didn’t matter who was rapping because by that time, the slinky whine of Dre’s Mini-Moog was single-handedly running the West Coast. The ratchet era needed a Nate Dogg, a crooner capable of delivering the sexually explicit lyrics of his rap counterparts more melodically, transmuting the potentially offensive into hilarious and self-aware absurdity. Ty Dolla $ign slid into the role as one-third of L.A.’s unofficial ratchet triumvirate alongside DJ Mustard and YG. Originally released on Mustard’s 2013 mixtape, Ketchup, “Paranoid” is Ty’s most indelible contribution to the West Coast canon, the closest anyone has come to “Ain’t No Fun (If the Homies Can’t Have None)” in the 2010s.
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“Mama, I know you said that you wanted a record you could listen to/With no cussing and shit/I tried/But I still gotta do this! ” We'll never know what Mama Quik thought when she got to the part about “raggedy-ass bitches,” but it's still a good bet that this is her favorite song. Its genius is that it's about a party where everything goes wrong-“Cigarette burns in my plush/Empty beers bottles in the brush/And my bitch acting like a lush”—and yet everything about it feels right. In which DJ Quik protege Mausberg gets mauled by the mold. "I need to lay down, turn the lights out-that's what I get from fuckin' with some shit that I don't know about," raps the shroomed-out Maus. This is pure Talkbox funk, a DJ Quik groove clinic that heralded dope joints to come.
The group’s debut album, “House of Pain,” featuring its Top 10 single, “Jump Around,” is in the pop Top 15. He never strays from his role as reporter, and like any good reporter he returned from his travels with images and stories. After bouncing from N.W.A. in '89 because he wasn't being paid what he was due, Cube quickly fell out with former mates Eazy E and MC Ren.
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The beat, like most of those in Mustard’s oeuvre, is sparse and rubbery, ping ponging between simple yet effective keys and skittering percussion. The hook compresses the sole nightmare of the unfaithful into a few lines; Ty’s verses are a page-by-page look at his black book and the game therein. The remix with B.o.B landed on Billboard for weeks, but Joe Moses’ verse on the original will probably haunt T.I. Who said New York rappers were the only ones to collab with reggae artists? The first single from Cube's third solo album features dancehall-flavored vocals from the man called Don Jagwarr. The song is popular among dancehall DJs and is widely regarded in the United Kingdom as a club classic.
Ice Cube “Today Was A Good Day" (
MC Eiht sets his narrative in the mid-1980s, before Compton culture went mainstream, before the Crips and Bloods had their own rap albums, back when the gangsters C-Walked to James Brown. When he was Death Row's last man standing, Snoop Dogg found a new home at Master P's No Limit Records. But as a No Limit soldier, Snoop was expected to churn out tunes by the pound, just like the rest of the team. Although his first No Limit album, Da Game Is to Be Sold, Not to Be Told, felt like a byproduct of Master P's production schedule, his follow-up, No Limit Top Dogg, was much stronger. Mainly because Snoop hooked up with Dr. Dre and Nate Dogg again for the first time since the Death Row days.
In 2012 an internet addict with too much time on his hands determined the exact date of Ice Cube's “Good Day” by making a list of everything that's mentioned in the song, and using a highly fallible method of deductive logic. Well, here it is, the symphonic masterwork of one Lawrence Muggerud, aka DJ Muggs. He cooked up the beat in a tiny apartment in Hollywood that he shared with DJ Aladdin of Low Profile. In one room, Aladdin, WC, Coolio and Crazy Toones were making We're in This Thing Together," and in the other Cypress was making demos for their first album.
Tickets can include a bus connection into downtown San Francisco from the stop in Emeryville. Other California stops include Redding, Sacramento, San Jose, Salinas, San Luis Obispo and Santa Barbara. ● Pacific Surfliner This is a busy network of trains that run from San Diego in the south via LA to as far north as San Luis Obispo.
The song's venom comes not from the rhymes, but from the juxtaposition of the song's oily, globular bass and Eazy's high-pitched taunts. Making demands on Al Davis was suicidal, but this was a year when Ice Cube spared no one his wrath. 50 years ago Fairfax Village was a hangout for bell-bottoms and longhairs. Twenty-five years ago Guns N' Roses dirtied the booths at Canter's Deli. In 2012, the street was claimed once again, this time for a crew of multicolored teenagers who made a career out of loitering in the skate shops that proliferated among the Hasidic stores near Canter's. One week after “Sandwitches” appeared as an internet-only single on Odd Future's website, the crew played their first proper show at the Low End Theory in Lincoln Heights.
